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Akira Kurosawa: The Warrior and the Spectacle
Akira Kurosawa: The Warrior and the Spectacle
Akira Kurosawa: The Warrior and the Spectacle
Why is Seven Samurai so good? [1]
Akira Kurosawa’s Seven Samurai (1954) is a three-and-a half-hour-long black-and-white epic set in war-torn, 16th-Century Japan. As elevator pitches go, it’s hardly ideal, yet not only did Seven Samurai take first place in BBC Culture’s 100 greatest foreign-language film poll, with 41 critics (20 per cent of the total) voting for it, Kurosawa was one of the most popular directors overall, with three of his other films (Rashomon, Ikiru and Ran) all making the top 100
Even during his most successful film-making years, Kurosawa was often held in higher esteem abroad than in his own country.. Read more about BBC Culture’s 100 greatest foreign-language films:
– Why are women film-makers ‘excluded’ from history?. – 12 great foreign-language masterpieces you may not know
Mise En Scene Definition, With Examples & Tutorials • Filmmaking Lifestyle [2]
Mise en scene is a term used in film production to describe the arrangement of elements within a frame.. The term was coined by Alexandre Dumas, père from the French for “putting on stage” or “setting up.” It refers to the arrangement of scenery and props on stage.
In film, it refers to the placement of objects (or lack thereof), actors, and other elements within the frame.. The purpose of this positioning or staging is to make meaning for an audience by suggesting what might be happening outside of what we are seeing in the camera’s viewfinder.
This includes set design, costume design, lighting, sound effects, and music.. The goal of mise-en-scene is to create an illusion for the audience so they can suspend their disbelief and get lost in the story being told by those on stage.
Types of Editing Transitions in Film — The Ultimate Guide [3]
Video transitions are used in just about every film and video – and they play an enormous role in the subliminal or liminal effects of moving from shot to shot. As such, knowing when and how to use specific types of editing transitions in film – like wipes, fades and pans – can make your project better than ever before
By the end, you’ll be ready to apply video transitions in your own works!. Cuts and transitions are two ways that editors move from one camera shot to the next
This process started out in earnest, with filmmakers shooting just two or three tableau scenes from the vantage of an audience member.. But by the mid-1910s, filmmakers had begun to cut and transition more frequently and more effectively
What is a Zoom Shot and When You Should Use One [4]
If you’re an aspiring cinematographer or director, you know that the camera is your primary storytelling tool. How you move the camera or how you frame a subject communicates intangible information to the audience
Knowing what this message is is critical to deciding when to use it. When you sit down to flesh out your shot list, where does a zoom shot fit in? Why does a zoom shot make perfect sense for that moment?
A zoom shot is when the focal length of a camera lens is adjusted to give the illusion of moving closer or further away from the subject. Zoom shots are done with a zoom lens, which have variable focal lengths
The Warrior’s Camera: the cinema of Akira Kurosawa [5]
To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser.. Acknowledgments A book of this kind cannot be written without the generous support of friends and colleagues, and I am indebted to the following people and organizations whose help made this book possible
One of the challenges in the age of video is in being able to see anamorphic wide-screen films in their proper format. Since many of Kurosawa’s films use an anamorphic wide-screen format, it was essential to study them as they were meant to be seen.
Grounded in communication, the dissertation has drawn on concepts from information science, film studies, and cognitive science as well as philosophy and other disciplines. The objective of this research is to unravel the way film as an environment is observed, marked, and indicated by spectators and thus how meaning is assigned to a film
Filmmaking technique of Akira Kurosawa [6]
The legacy of filmmaking technique left by Akira Kurosawa (1910–1998) for subsequent generations of filmmakers has been diverse and of international influence beyond his native Japan. The legacy of influence has ranged from working methods, influence on style, and selection and adaptation of themes in cinema
Kurosawa’s aesthetic visual sense meant that his attention to cinematography and filming was also demanding and often went beyond the attention which directors would normally expect to use with their cameramen. His reputation as an editor of his own films was consistent throughout his lifetime in his insisting on close participation with any other editors involved in the editing of his films
The style associated with Kurosawa’s films is marked by a number of innovations which Kurosawa introduced in his films over the decades. In his films of the 1940s and 1950s, Kurosawa introduced innovative uses of the axial cut and the screen wipe which became part of the standard repertoire of filmmaking for subsequent generations of filmmakers
Encyclopedia.com [7]
Born March 23, 1910, in Tokyo, Japan; died of a stroke September 6, 1998, in Tokyo, Japan; son of Isamu (a physical education teacher) and Shima Kurosawa; married Kato Kiyo (an actress under the name Yoko Yaguchi), 1945 (died February 1, 1985); children: Hisao (son), Kazuko (daughter). Hobbies and other interests: Collecting Japanese lacquerware and antique French and Dutch glassware, golf, American football games.
Photo Chemical Laboratory (PCL Studios; became Toho Films), Tokyo, Japan, assistant director to Yamamoto Kajiro on films, including Sengoku gunto den, Senman choja, and Uma, 1936-42; principal director, 1942-48 and 1952-98; also director for Daiei Motion Picture Company, Chofu City, Japan, and for Shochiku studios. Cofounder of Film Art Association, 1948; founder of Kurosawa Production Inc., 1960; cofounder of Yonki no Kai production company, c
(With Michel Mesnil) Kurosawa Presentation par Michel Mesnil, Seghers (Paris, France), 1973.. Something Like an Autobiography, translated from the Japanese by Audie E
Japanese Samurai Film Genre Essays – 616 Words [8]
Introduction Throughout History, there have been many different groups or events that are still widely known today. Groups of people such as the Indians or Vikings are popular groups which are referenced constantly in today’s society
Originating in 646 AD, these Japanese warriors developed from a loose organization of farmers to the dominant social class in Feudal Japan. Along with their dominant military and political standing, the samurai brought with them a unique code or moral belief that became the core of Samurai culture
Once the mercenaries arrive, in both movies, all the farmers are hiding because they think the samurai/gunslingers are just as bad as the bandits and they hid all their women in fear that they would “seduce” them. As time progresses though the farmers begin to trust the samurai/gunslingers and are trained how to fight
Japanese Samurai Film Genre – 632 Words [9]
-Nara’s Buddhist temples were another result of cultural diffusion, Buddhist began in India in 500s B.C.E. about 1,000 years later, it came to Japan from China by way of Korea.
A samurai was a traditional warrior who would protect and be loyal to their masters no matter what. They were known to be skilled soldiers, benevolent men, self-sacrifice, sense of shame, along with other major characteristics that embodied them as a samurai
Tsukiyama does a fascinating piece of work by really elaborating and describing the great attributes that Matsu possess of a true samurai. The samurai were the hereditary warrior class of feudal Japan who trace their creation to the “Heian period in around 794 when the capital was moved to Heian-Kyo”
King Lear and Ran: Japanese Film in the English Literature Classroom [10]
Teachers often use film to help them present complex subjects in their high school classes. Unfortunately, many films designed for classroom use are not as interesting as commercial productions—and many commercial films are not appropriate for the classroom! A good film is one that students will watch
To engage a Language Arts class, the vehicle itself—the film—must be noteworthy.. In English Literature, one of the great classics is, of course, Shakespeare’s King Lear
They feel the acting is stiff and the language difficult, dense, and strangely unfamiliar. But don’t give up! There is a film that students will embrace—Akira Kurosawa’s Ran—a Japanese telling of the Lear story and one of the best catalysts for the study of English and Asian culture in an interdisciplinary format.
Japanese Samurai Film Genre Essay example – 600 Words [11]
The Samurai’s Tale by Erik Christian Haugaard is about a boy named Taro, the protagonist in the story. The major characters in the story are Taro, Yoshitoki, Lord Takeda Katsuyori, Lord Akiyama Nobutomo, and Togan
In the beginning of the story he was presented as a gift by the great Lord Takeda Shingen to Lord Akiyama after his parents had been killed. By using his wits and suppressing his fierce pride, Taro slowly escalates the ranks of his lord’s household until he achieves his greatest goal—becoming a samurai like his father and Lord Akiyama, whom he has come to admire
The samurai were a powerful warrior class in Japan, and were very skilled with a sword. Samurai used swords and were trained very well to do many things such as fire a bow while on horseback
Bảy Võ Sĩ Đạo (1954) [12]
I discovered 16 of Kurosawa’s best known films before returning to the one which is commonly thought of as his masterpiece. Seven Samurai is unlike any other grand classic ever produced
The premise: in chaotic 16th century Japan, as marauders threaten raid villages, one village hires samurai to defend it from a group of bandits. Yet Kurosawa (also co-writer) developed these characters in a way unheard of for what might pass as an epic action film
And if the script is a marvel in itself, the acting and production design than derive from it are nothing short of superlative. It is said that Kurosawa forced the villagers (from supporting role to mere extra) to live together as a community during production and be their characters, each and every one of which he had drawn out specifically
Kurosawa Akira | Biography & Films [13]
Our editors will review what you’ve submitted and determine whether to revise the article.. Kurosawa Akira, (born March 23, 1910, Tokyo, Japan—died September 6, 1998, Tokyo), first Japanese film director to win international acclaim, with such films as Rashomon (1950), Ikiru (1952), Seven Samurai (1954), Throne of Blood (1957), Kagemusha (1980), and Ran (1985).
After leaving secondary school, Kurosawa attended an art school and began painting in the Western style. Although he was awarded important art prizes, he gave up his ambition to become a painter and in 1936 became an assistant director in the PCL cinema studio
During this period Kurosawa became known as an excellent scenarist. Some of his best scenarios were never filmed but only published in journals; yet they were noticed by specialists for their freshness of representation and were awarded prizes.
The Best Samurai Films Ever Made [14]
Honour, bloodshed and the merciless tide of history portrayed through handcrafted costumes and epic cinematography. Here are the most unforgettable samurai movies ever made.
In Europe, they had Medieval knights and swashbucklers. Japanese noblemen have been a fascinating archetype for years in pop culture, not least in Japanese cinema
But as with its Western counterparts, the genre gradually became less popular with audiences. Iconic stars, such as Toshiro Mifune, have either grown old or passed away, audience tastes have evolved and the Japanese film industry has experienced decline
Why is Seven Samurai so good? [15]
Akira Kurosawa’s Seven Samurai (1954) is a three-and-a half-hour-long black-and-white epic set in war-torn, 16th-Century Japan. As elevator pitches go, it’s hardly ideal, yet not only did Seven Samurai take first place in BBC Culture’s 100 greatest foreign-language film poll, with 41 critics (20 per cent of the total) voting for it, Kurosawa was one of the most popular directors overall, with three of his other films (Rashomon, Ikiru and Ran) all making the top 100
Even during his most successful film-making years, Kurosawa was often held in higher esteem abroad than in his own country.. Read more about BBC Culture’s 100 greatest foreign-language films:
– Why are women film-makers ‘excluded’ from history?. – 12 great foreign-language masterpieces you may not know
10 great films set in medieval Japan [16]
“War, earthquake, winds, fire, famine, the plague… Year after year, it’s been nothing but disasters.” In 1951, audiences at the Venice Film Festival were transported some seven centuries into Japan’s feudal past. In more ways than one, they’d never seen anything like Akira Kurosawa’s Rashomon (1950)
Back in Japan, period dramas were every bit as popular, but the majority of jidaigeki focused their attention on the later Edo period (1603-1867), a time of relative stability under the rule of the shogunate. The preceding centuries that make up Japan’s medieval period (1185-1603) were beset by chaos
Sign up for BFI news, features, videos and podcasts.. Japan’s medieval period began with the overthrow of the Taira clan at the Battle of Dannoura in 1185, which put an end to the Heian era and ushered in the Kamakura period
36 Facts About The Movie Seven Samurai [17]
When it comes to iconic movies, Akira Kurosawa’s “Seven Samurai” definitely ranks among the best. Released in 1954, this masterpiece has not only stood the test of time but has also influenced countless filmmakers around the world
In their desperation, the villagers hire seven samurai to protect them and help defend their home. With an engaging storyline, powerful performances, and expertly choreographed battle scenes, “Seven Samurai” has cemented its place as a timeless classic
So, grab your swords and join us on this journey through the extraordinary world of “Seven Samurai”.. Directed by Akira Kurosawa, the movie was released in 1954 and is widely regarded as one of the greatest movies ever made.
The Cultural Importance of Kurosawa’s Film “Shadow Warrior” – [18]
Scott Miller introduced the Japanese film Shadow Warrior in an International Cinema lecture.. PROVO, Utah (September 29, 2015)— When a Japanese warlord’s body double takes his place after his untimely death, what happens to his identity? This question figures prominently in Akira Kurosawa’s 1980 film Shadow Warrior (Kagemusha)
Scott Miller, a professor of Japanese and comparative literature and former International Cinema director (2006-2008), discussed Shadow Warrior’s significance and its personal meaning to him.. Shadow Warrior takes place in 1575 Japan, when warlords controlled different areas and were trying to dominate Japan for the sake of securing it for the emperor
He is then brought on as Shingen’s kagemusha, or political decoy. When Shingen is mortally wounded in battle, the decoy begins to impersonate the leader full-time to protect the clan against attacks from its opponents
Seppuku (1962) [19]
I saw Harakiri (Seppuku) in a new 35 mm print at NYC’s Film Forum. This is a brilliant use of a narrow period genre to explosively indict politics and culture
The film begins deceptively as a story within a story, seemingly providing a traditional example of upholding samurai honor, such as in the conventional, oft-retold tale of “The 47 Ronin.” The context is set at a time when the central government, the shogunate, is supplanting local clans and arbitrarily unemploying thousands of people, notably their samurai, forcing them into the mercenary mode of ronin at best and begging for food at worse. But the parallels to the 20th century are made repeatedly explicit as the samurai who comes to this clan seeking help is from Hiroshima.
It is almost halfway through the film until we see a female and we suddenly see an alternative model of masculinity, where a priority is put on family, support, education and creative productivity. In comparison to the macho opening relationships, with their emphasis on formal militaristic loyalty to a hierarchy, a loving husband and father is practically a metrosexual
International Cinema 1950s – Japan – THEA-2312 [20]
The West “discovered” the Japanese cinema when Kurosawa’s Rashomon won the Grand Prize at the Venice Film Festival of 1951.. – One of the largest industries in the world, modeled on the American studio system of five major studios with dominant (paternalistic!) directors training apprentices, period films & contemporary films (with subgenres in each)
– Benshi – actors who stand at side of stage and narrates the action for the audience; early films were voices and character—later just dialogue. – The presence of the benshi was a fact that filmmakers could assume during production, allowing them to make films w
– earthquake and rebuilding caused a turning away from past native traditions and. – style to a more western orientation (think of post WWI US) –oyama disappeared, advent
Sources
- https://www.bbc.com/culture/article/20181025-why-is-seven-samurai-so-good#:~:text=Akira%20Kurosawa’s%20Seven%20Samurai%20(1954,torn%2C%2016th%2DCentury%20Japan.
- https://filmlifestyle.com/mise-en-scene-definition/#:~:text=Mise%20en%20scene%20is%20a,scenery%20and%20props%20on%20stage.
- https://www.studiobinder.com/blog/types-of-editing-transitions-in-film/#:~:text=Dissolve%20Film%20Definition-,Dissolve,as%20the%20director%2Feditor%20deems.
- https://www.studiobinder.com/blog/what-is-a-zoom-shot-definition/#:~:text=In%20short%2C%20we%20define%20zoom,actually%20moving%20towards%20the%20subject.
- https://www.academia.edu/7924116/The_Warriors_Camera_the_cinema_of_Akira_Kurosawa
- https://en.wikipedia.org/wiki/Filmmaking_technique_of_Akira_Kurosawa
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