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‘Fountain‘, Marcel Duchamp, 1917, replica 1964 [1]
– Purchased with assistance from the Friends of the Tate Gallery 1999. Fountain is one of Duchamp’s most famous works and is widely seen as an icon of twentieth-century art
Tate’s work is a 1964 replica and is made from glazed earthenware painted to resemble the original porcelain. Fountain has been seen as a quintessential example, along with Duchamp’s Bottle Rack 1914, of what he called a ‘readymade’, an ordinary manufactured object designated by the artist as a work of art (and, in Duchamp’s case, interpreted in some way).
He purchased a urinal from a sanitary ware supplier and submitted it – or arranged for it to be submitted – as an artwork by ‘R. Mutt’ to the newly established Society of Independent Artists that Duchamp himself had helped found and promote on the lines of the Parisian Salon des Indépendants (Duchamp had moved from Paris to New York in 1915)
“Fountain” by Marcel Duchamp – Discover Duchamp’s Urinal [2]
“Fountain” by Marcel Duchamp – Discover Duchamp’s Urinal. Fountain by Marcel Duchamp kickstarted the conceptual art movement in the early-1900s
The Fountain sculpture is considered one of Marcel Duchamp’s most famous works. To most people, the fuss about Duchamp’s Fountain challenges their ideas of beauty and art
Let us look at what made this urinal art such an impactful sculpture.. |Associated Art Movements||Cubism, Dada, Surrealism, Conceptual art|
What Was So Great About Marcel Duchamp’s Fountain? [3]
Marcel Duchamp was a pioneering conceptual artist, who poked fun at the art world with controversial and provocative artistic statements. From cross-dressing to spinning bike wheels and playing with string, he enjoyed upending the conventional with a nonsensical, Dadaist spirit
This bizarre object now has great historical significance. But what was so great about it? Read on to discover more about this icon of art history.
Duchamp’s Fountain, made in 1917, is quite possibly the first ever conceptual work of art. Nowadays art galleries are filled with all sorts of weird and wonderful objects, but back in Duchamp’s day it was a far more traditional affair
Great Works of Art: Duchamp’s ‘Fountain’ [4]
A disruptive work of modern art that continues to inspire. To my mind, there are few works of art that have had such a distinct and emphatic influence on the course of art than Marcel Duchamp’s Fountain, made in 1917.
Fountain is a so-called ‘readymade’ sculpture, meaning that it is an ordinary, manufactured object that the artist has simply selected and perhaps modified in some way. Duchamp made very little modifications to the object, except turn it on its side and sign it with a pseudonym ‘R
The very contentiousness of Fountain means it has survived its historical moment and continues to impress upon us its combative punch, not to mention inspiring the interests and practices of several generations of later artists.. That contemporary art is not universally loved bears heavily on Fountain, since whatever else Duchamp was trying to achieve (or mischieve), he certainly meant to create something disagreeable
Fountain (Duchamp) [5]
Fountain is a readymade sculpture by Marcel Duchamp in 1917, consisting of a porcelain urinal signed “R. In April 1917, an ordinary piece of plumbing chosen by Duchamp was submitted for an exhibition of the Society of Independent Artists, the inaugural exhibition by the Society to be staged at the Grand Central Palace in New York
The work is regarded by art historians and theorists of the avant-garde as a major landmark in 20th-century art. Sixteen replicas were commissioned from Duchamp in the 1950s and 1960s and made to his approval.[7] Some have suggested that the original work was by the female artist Elsa von Freytag-Loringhoven[8][9] who had submitted it to Duchamp as a friend, but art historians maintain that Duchamp was solely responsible for Fountain’s presentation.[3][10]
Marcel Duchamp arrived in the United States less than two years prior to the creation of Fountain and had become involved with Francis Picabia, Man Ray, and Beatrice Wood (amongst others) in the creation of an anti-rational, anti-art, proto-Dada cultural movement in New York City.[12][13][14]. In early 1917, rumors spread that Duchamp was working on a Cubist painting titled Tulip Hysteria Co-ordinating, in preparation for the largest exhibition of modern art ever to take place in the United States.[15] When Tulip Hysteria Co-ordinating did not appear at the show, those who had expected to see it were disappointed.[16] But the painting likely never existed.[6][17]
“Fountain” by Marcel Duchamp – Discover Duchamp’s Urinal [6]
“Fountain” by Marcel Duchamp – Discover Duchamp’s Urinal. Fountain by Marcel Duchamp kickstarted the conceptual art movement in the early-1900s
The Fountain sculpture is considered one of Marcel Duchamp’s most famous works. To most people, the fuss about Duchamp’s Fountain challenges their ideas of beauty and art
Let us look at what made this urinal art such an impactful sculpture.. |Associated Art Movements||Cubism, Dada, Surrealism, Conceptual art|
‘Fountain‘, Marcel Duchamp, 1917, replica 1964 [7]
– Purchased with assistance from the Friends of the Tate Gallery 1999. Fountain is one of Duchamp’s most famous works and is widely seen as an icon of twentieth-century art
Tate’s work is a 1964 replica and is made from glazed earthenware painted to resemble the original porcelain. Fountain has been seen as a quintessential example, along with Duchamp’s Bottle Rack 1914, of what he called a ‘readymade’, an ordinary manufactured object designated by the artist as a work of art (and, in Duchamp’s case, interpreted in some way).
He purchased a urinal from a sanitary ware supplier and submitted it – or arranged for it to be submitted – as an artwork by ‘R. Mutt’ to the newly established Society of Independent Artists that Duchamp himself had helped found and promote on the lines of the Parisian Salon des Indépendants (Duchamp had moved from Paris to New York in 1915)
Fountain | work by Duchamp [8]
Our editors will review what you’ve submitted and determine whether to revise the article.. Comedian recalls Marcel Duchamp’s revolutionary Fountain, wherein a mass-produced object (in that case a urinal) became art through conceptual means: the artist’s declaration that the urinal was art, the work’s acceptance into the 1917 Independents Exhibition in New York City, and its placement on a pedestal in a gallery
Although he was a founder-member of this society, he had signed the work “R. His ready-mades had anticipated by a few years the Dada…Read More
By selecting mass-produced, commonplace objects, Duchamp attempted to destroy the notion of the uniqueness of the art object. The result was a new, controversial definition of art as an intellectual rather than a material process.Read More
What is Dadaism, Dada Art, or a Dadaist? [9]
Originally a colloquial French term for a hobby horse, Dada, as a word, is nonsense. As a movement, however, Dadaism proved to be one of the revolutionary art movements in the early twentieth century, born as a response to the modern age.
Know someone who would find this article interesting?. Keywords: Chance, luck, nonsense, anti-art, readymade
Key characteristics: Humoristic, tending towards the absurd, satirical attitude towards authority. During the First World War, countless artists, writers, and intellectuals who opposed the war sought refuge in Switzerland
Marcel Duchamp Art, Bio, Ideas [10]
Few artists can boast of having changed the course of art history in the way that Marcel Duchamp did. By challenging the very notion of what is art, his first readymades sent shock waves across the art world that can still be felt today
In his insistence that art should be driven by ideas above all, Duchamp is generally considered to be the father of Conceptual art. His refusal to follow a conventional artistic path, matched only by a horror of repetition which accounts for the relatively small number of works Duchamp produced in the span of his short career, ultimately led to his withdrawal from the art world
– Coined by Duchamp, the term “readymade” came to designate mass-produced everyday objects taken out of their usual context and promoted to the status of artworks by the mere choice of the artist. A performative act as much as a stylistic category, the readymade had far-reaching implications for what can legitimately be considered an object of art.
What Was So Great About Marcel Duchamp’s Fountain? [11]
Marcel Duchamp was a pioneering conceptual artist, who poked fun at the art world with controversial and provocative artistic statements. From cross-dressing to spinning bike wheels and playing with string, he enjoyed upending the conventional with a nonsensical, Dadaist spirit
This bizarre object now has great historical significance. But what was so great about it? Read on to discover more about this icon of art history.
Duchamp’s Fountain, made in 1917, is quite possibly the first ever conceptual work of art. Nowadays art galleries are filled with all sorts of weird and wonderful objects, but back in Duchamp’s day it was a far more traditional affair
Marcel Duchamp and the Readymade [12]
Marcel Duchamp was a pioneer of Dada, a movement that questioned long-held assumptions about what art should be, and how it should be made. In the years immediately preceding World War I, Duchamp found success as a painter in Paris
Seeking an alternative to representing objects in paint, Duchamp began presenting objects themselves as art. He selected mass-produced, commercially available, often utilitarian objects, designating them as art and giving them titles
Instead, Duchamp argued, “An ordinary object [could be] elevated to the dignity of a work of art by the mere choice of an artist.”. The readymade also defied the notion that art must be beautiful
100 years later Duchamp’s ‘Fountain’ still influential • News Service • Iowa State University [13]
AMES, Iowa – The fact that an ordinary urinal could have a profound impact on the art world may sound preposterous, but the influence of Marcel Duchamp’s “Fountain” is undeniable, says Justin Remes, an assistant professor of English at Iowa State University.. Duchamp created “Fountain” from a porcelain urinal that he turned upside down and signed with a fake name
“Fountain” proved to be the exception – and the rejection provoked a conversation that continues today.. Remes, who specializes in film studies, says that influence is not limited to works of art
“Part of what Duchamp was doing was creating a spectacle. He knew people would get upset and he wanted to see their response,” Remes said
Marcel Duchamp (1887–1968) [14]
Embodying the intellect of his literary contemporaries Marcel Proust and James Joyce, Marcel Duchamp (1887–1968) has been aptly described by the painter Willem de Kooning as a one-man movement. Jasper Johns has written of his work as the “field where language, thought and vision act on one another.” Duchamp has had a huge impact on twentieth-century art
Instead, Duchamp wanted, he said, “to put art back in the service of the mind.”. Born in Normandy in northern France, Duchamp traveled back and forth between Europe and the United States for much of his life
One of his most important works, Nude Descending a Staircase (No. 2) (1912; Philadelphia Museum of Art) (a second version of a work on cardboard from 1911), however, reflects Duchamp’s ambivalent relationship with Cubism
Marcel Duchamp’s Fountain and Why It Matters [15]
Considered a pivotal moment in art history, a lot has been said about the Dada movement. Rejecting everything (even themselves!) Dada members…
He was a painter, a sculptor, and a photographer; he was a seminal member of the Cubists, a major progenitor of the Dadaists, and the bedrock of the next century of conceptual art; he was even a world-class chess player. However, of all Duchamp’s many daring artworks, the one that best captures his originality, boldness, and shocking disregard both for rules and for taste is perhaps Fountain – an upside-down urinal.
Mott Iron Works in 1917, Duchamp (who was already a famous painter by that time) purchased a commercial urinal off the shelf. Mutt,” a play on words referencing the Mott store, the popular cartoon strip “Mutt and Jeff,” and the name Richard, French slang for “money-bags” (with its own humorous double meaning, in the context of a urinal)
Work of art that inspired a movement … a urinal [16]
A humble porcelain urinal – reclining on its side, and marked with a false signature – has been named the world’s most influential piece of modern art, knocking Picasso and Matisse from their traditional positions of supremacy.. Marcel Duchamp’s Fountain, created in 1917, has been interpreted in innumerable different ways, including as a reference to the female sexual parts.
According to art expert Simon Wilson, “the Duchampian notion that art can be made of anything has finally taken off. And not only about formal qualities, but about the ‘edginess’ of using a urinal and thus challenging bourgeois art.”
Different categories of respondents chose markedly different works, with artists in particular plumping overwhelmingly for Fountain.. “It feels like there is a new generation out there saying, ‘Cut the crap – Duchamp opened up modern art’,” said Mr Wilson.
Marcel Duchamp’s Fountain of Disruption [17]
In the spring of 1917, Marcel Duchamp purchased a manufactured urinal, turned it on its side, signed it “R. In April of that same year, it was submitted for exhibition to the Society of Independent Artists in New York City and was considered indecent and therefore rejected.
This premise has been challenged, applauded, revised, expanded and reinterpreted many times over, and 100 years later, Fountain still remains an important influence on art and contemporary culture.. Fountain was a monumental departure from the more formally driven art of the period
The word “disruption” is beloved by the millennial generation for any activity or event that results in change. In this respect, Duchamp’s Fountain not only disrupted the world of art, but served as an early bridge between commercial and fine art
How Duchamp’s Urinal Changed Art Forever [18]
Image of Marcel Duchamp’s Fountain, 1917, via Wikimedia Commons.. On April 9th, 1917, just over 100 years ago, Marcel Duchamp achieved what was perhaps the most brilliant and absurd art event of the 20th century.
The Society’s board, faced with what must have seemed like a practical joke from an anonymous artist, rejected Fountain on the grounds that it was not a true work of art. Duchamp, who was a member of that board himself, resigned in protest.
It read: “Whether Mr Mutt with his own hands made the fountain or not has no importance. He took an ordinary article of life, placed it so that its useful significance disappeared under the new title and point of view—created a new thought for that object.” Wood, who had followed Duchamp’s work closely, recognized the groundbreaking power of the work.
Marcel Duchamp’s Fountain and the Dadaist Movement Free Essay Example [19]
This is a paper about the Dadaist movement and a work of art that is very representative of Dadaist philosophy: Fountain by Marcel Duchamp. The Fountain is one of the most controversial works of art ever
At first glance, it began as away to test the integrity of an art society’s rules for how and what it would consider to be a work of art. The controversy it raised also forced a re-assessment of the definition “art.
To understand Fountain in relation to the Dadaist movement, we must first understand Dadaism and why it emerged as a movement in the early 20th century. The history of Fountain and its creator will be told
Marcel Duchamp’s Fountain: Is it Art? [20]
To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser.. Given that Marcel Duchamp’s readymades mock and repudiate artistic conventions, the claim to aesthetic merit for such works seems contradictory
Qualifying readymades as art seems paradoxical: is an artwork not supposed to be a beautiful object created by the hands of an artist? The fact that they are mass-manufactured objects that anyone could purchase further insults aesthetic sensibilities. Such questions and contradictions about what ‘Art’ is or should be form the basis of this essay, which seeks to clarify its constructs
This discussion will firstly, introduce and contextualise Duchamp’s Fountain (1917); secondly, question conventional definitions and assumptions of art by exploring how Fountain ruptures these criteria; and lastly, reconsider if Fountain is art and the implications of Duchamp’s gesture.. In this text I undertake to show in Marcel Duchamp’s readymade(s) and Ad Reinhardt’s ultimate painting(s) the correlation between an internal and an external dimension to the artwork
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- https://artfilemagazine.com/fountain-by-marcel-duchamp/#:~:text=Fountain%20(1917)%20is%20often%20ascribed,Nude%20Descending%20a%20Staircase%2C%20No.
- https://www.thecollector.com/what-was-great-about-marcel-duchamp-fountain/#:~:text=Duchamp’s%20Fountain%20Was%20the%20First%20Conceptual%20Artwork&text=Duchamp’s%20Fountain%2C%20made%20in%201917,a%20far%20more%20traditional%20affair.
- https://christopherpjones.medium.com/great-works-of-art-duchamps-fountain-900a4acb4307#:~:text=A%20disruptive%20work%20of%20modern%20art%20that%20continues%20to%20inspire&text=To%20my%20mind%2C%20there%20are,else%20to%20say%20about%20it.
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