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Aaron Copland, 1900-1990 [1]
Aaron Copland by candlelight, studio in the Berkshires, September, 1946, by Victor Kraft.. Most people know that Aaron Copland was a composer and that his name is synonymous with works such as Appalachian Spring, Fanfare for the Common Man, and the “Hoedown” from Rodeo
In addition to his creative output as a composer, Copland was also a teacher, lecturer, author, editor, and conductor. Because of his involvement in these different facets of artistic expression, and because he was successful in merging a distinctly American style of composition, Copland is frequently referred to as the “Dean of American Music.”
Copland’s parents arrived in Brooklyn in 1877, and upon reaching America, they adopted an Anglicized version of their original surname, Kaplan. Copland’s earliest musical training came in the form of piano lessons which he received from his sister Laurine
Aaron Copland [2]
Aaron Copland (/ˈkoʊplənd/, KOHP-lənd;[1][2] November 14, 1900 – December 2, 1990) was an American composer, composition teacher, writer, and later a conductor of his own and other American music. Copland was referred to by his peers and critics as the “Dean of American Composers”
He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as “populist” and which the composer labeled his “vernacular” style.[3] Works in this vein include the ballets Appalachian Spring, Billy the Kid and Rodeo, his Fanfare for the Common Man and Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera and film scores.
He studied three years with Boulanger, whose eclectic approach to music inspired his own broad taste. to make his way as a full-time composer, Copland gave lecture-recitals, wrote works on commission and did some teaching and writing
Aaron Copland Biography [3]
Aaron Copland was one of the most respected American classical composers of the twentieth century. By incorporating popular forms of American music such as jazz and folk into his compositions, he created pieces both exceptional and innovative
Today, ten years after his death, Copland’s life and work continue to inspire many of America’s young composers.. Copland was born in Brooklyn, New York, on November 14, 1900
At the age of sixteen he went to Manhattan to study with Rubin Goldmark, a respected private music instructor who taught Copland the fundamentals of counterpoint and composition. During these early years he immersed himself in contemporary classical music by attending performances at the New York Symphony and Brooklyn Academy of Music
Aaron Copland’s Most Famous Pieces and His American Sound [4]
Aaron Copland gained worldwide recognition for his ballet score Appalachian Spring. The work was the result of a commission by the modern dancer and choreographer Martha Graham and her contemporary dance company
Scored for thirteen instruments and originally titled “Ballet for Martha,” the work became one of the most inspiring and symbolic compositions of the century. Music and dance perfectly complemented one another, and together they reflect youthful aspiration in the American heartland
Aaron Copland: Appalachian Spring (Los Angeles Philharmonic Orchestra; Leonard Bernstein, cond.). At the end of the Second World War, America was still searching for a grand musical expression that would reflect the nation’s hopes, joys, and anxieties of a post-war world
The Tender Land [5]
The Tender Land is an opera with music by Aaron Copland and libretto by Horace Everett, a pseudonym for Erik Johns.. The opera tells of a farm family in the Midwest of the United States
However, the television producers rejected the opera.[citation needed]. Eventually, the work had its premiere on April 1, 1954 at the New York City Opera, with Thomas Schippers as the conductor, Jerome Robbins as the director, and a cast including the young Norman Treigle
Patton has also commented on the role of Erik Johns’ interest in the Vedanta branch of Hinduism in the libretto.[3]. Copland and Johns made revisions to the opera,[4] expanding Act 2 for performances at Tanglewood in August 1954, and making further adjustments for Oberlin College in 1955.[5] With the composer’s agreement, Murry Sidlin re-scored the work with reduced forces – the same scoring as the original 13 instrument version of Appalachian Spring – for a production in New Haven in 1987, a staging that ran for more than 50 performances
A Brief Introduction to the Music of Aaron Copland [6]
Aaron Copland in Paris, early 1920s, Music Division, Library of Congress. When Aaron Copland boarded a ship for Paris in June 1921, a few months short of his twenty-first birthday, he already had a good musical training thanks to his conservative but thorough American teacher, Rubin Goldmark
Aaron Copland with Marian Anderson, rehearsing “Lincoln Portrait”, Music Division, Library of Congress. Copland also continued to write works for the concert hall, often using the somewhat simplified musical language he had developed for his ballet and film scores and for a series of works for young performers, including the school opera The Second Hurricane, of 1937 and An Outdoor Overture from 1938, the…
Copland’s music of the late 1920s drives towards two of his key works, both uncompromising in their modernism: the Symphonic Ode of 1929 and the Piano Variations of 1930. While the Piano Variations is not often performed in concert, it is well known to pianists because…
Copland – Song of America [7]
It is perhaps ironic that a composer of Russian-Jewish immigrant extraction would be more closely identified with Americanist music than any of his Yankee colleagues. Yet, in many ways, Aaron Copland, and his contemporary Leonard Bernstein, exerted such profoundly shaping influences on American music that they became institutions in their own right
Born in Brooklyn on November 14, 1900, Copland’s early musical inclinations surfaced in his childhood fondness for making up songs. At 12 he began piano lessons and at 17 played his first public performance, at Wanamaker’s Department Store in Manhattan
He encountered what his teachers called radical modern music–Ives and Ravel; he won a scholarship to a newly formed school for American musicians at Fontainebleau; and he set sail for Paris in June of that year. For the next three years he would study with Nadia Boulanger, compose his first serious works, and associate with a stimulating circle of American expatriates and French intellectuals, among them his cousin and later the distinguished theatre critic Harold Clurman, the cubist painter Marcel Duchamp, the conductor Serge Koussevitsky, and composer Roger Sessions.
Aaron Copland [8]
Copland represents a first in our studies: an American-born composer. Born in Brooklyn, NY, Aaron Copland studied in Paris then returned to the United States where he was influenced by the composer Aaron Stieglitz
Copland certainly did this in several popular ballets that made use of American folk tunes, particularly cowboy songs. The ballet Rodeo and the movement from that work featured on our playlist, “Hoedown,” is unmistakeable in its reference to the American West
Aaron Copland (November 14, 1900–December 2, 1990) was an American composer, composition teacher, writer, and later in his career a conductor of his own and other American music. Instrumental in forging a distinctly American style of composition, in his later years he was often referred to as “the Dean of American Composers” and is best known to the public for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as “populist” and which the composer labeled his “vernacular” style
Who is Aaron Copland? (with pictures) [9]
Born in 1900 in Brooklyn, New York, Aaron Copland actually began composing before he formally began taking piano lessons at 13. Rather than go to college, he studied theory, composition, and piano, and immersed himself in performance experiences, attending ballets, operas, and concerts.
He went on to study in Paris with both Ricardo Viñes and Nadia Boulanger, who conducted his Organ Symphony in 1924.. Returning to the United States, Copland combined the influences of American folk music with other elements to create his personal idiom
Between 1939 and 1948, he wrote seven film scores; an opera — The Second Hurricane; three ballets — Billy the Kid, Rodeo, and Appalachian Spring; and his noted orchestral pieces, “Quiet City,” “Fanfare for the Common Man,” “Music for Movies,” and “Lincoln Portrait” — the last three of which were all composed in 1942.. In the 1950’s, his focus seemed to turn more to voice
Radio Swiss Classic [10]
died on 2/12/1990 in North Tarrytown, NY, United States. Aaron Copland (November 14, 1900 – December 2, 1990) was an American composer of concert and film music, as well as an accomplished pianist
Copland’s music achieved a balance between modern music and American folk styles. The open, slowly changing harmonies of many of his works are said to evoke the vast American landscape
Aside from composing, Copland was a teacher, lecturer, critic, writer, and conductor (generally, but not always, of his own works).. Aaron Copland was born in Brooklyn, New York, United States, North America, of Lithuanian Jewish descent, the last of five children
Aaron Copland: most famous pieces [11]
American composer, composition teacher, writer, and conductor (1900-1990). – conductor, pianist, composer, choreographer, musicologist, music pedagogue, jazz musician, film score composer, music critic
To discover his repertoire, the question is: where to start? Perhaps with his main compositions and most famous works. But what are best known or most important works of Aaron Copland? How do they fit into his career, throughout his creative activity? Which genre dominates: instrumental music, vocal music or other? And beyond that, in what artistic and musical context: what other composers were at the same time, famous contemporaries of Copland?
This selection is completed by 5 other compositions that are also quite famous. For sure the best of Aaron Copland, to make you want to go further with his other pieces or with the work of other composers who have significant similarities with the work of Copland.
MPR Music Feature: Copland 10 x 10 [12]
Copland remembered his boyhood environment as drab and lacking in culture; still, his brother was a decent amateur violinist and it was his sister who gave Aaron his first piano lessons, when he was seven.. After drinking deeply of the modernism of composers like Stravinsky and Milhaud, Copland returns to New York in 1924
He manages to obtain a performance of his Organ Symphony, under the baton of Walter Damrosch, who introduces the music to the audience by saying, “If a young man can write a symphony like this at twenty-three, within five years he will be ready to commit murder!” (Today this music doesn’t seem quite so threatening.). Other works from this time, like Music for the Theatre and the Piano Variations, give Copland a secure reputation among musicians, but he’s still strapped for money and not widely known to the general public.
First comes El Salon Mexico (1932-36), followed by the ballet Billy the Kid (1938).. But the piece that listeners take to their heart more than any other is Appalachian Spring, subtitled Ballet for Martha for its choreographer, Martha Graham
About the American Composer, Aaron Copland’s Works and Life [13]
About the American Composer, Aaron Copland’s Works and Life. – Musical Media: orchestra, chamber music, keyboards, songs, ballet
Born in New York, U.S., in the year 1900, Copland had a unique talent for composing which he gained through a lifelong characterization of American music via a contemporary style. He was well known for a number of award-winning pieces and achievements before he passed away in New York, in the year 1990.
The instrument and the learning process was so endearing for the young man that by 15, he was determined to become a composer. Copland attempted a musical course to get a grasp of harmonic patterns but didn’t find what he was looking for as he didn’t find adequate support to push him on
Aaron Copland List of Works [14]
– The Cat and the Mouse (Le Chat et la souris,1920). – As It Fell Upon a Day for voice, flute and clarinet (1923)
– Sextet for string quartet, clarinet and piano (1937). – Quiet City for trumpet, English horn, string orchestra (1940)
– Lincoln Portrait for narrator, orchestra (1942, also for band). – Fanfare for the Common Man for brass, percussion (1942)
Aaron Copland Biography [15]
Aaron Copland was one of the most respected American classical composers of the twentieth century. By incorporating popular forms of American music such as jazz and folk into his compositions, he created pieces both exceptional and innovative
Today, ten years after his death, Copland’s life and work continue to inspire many of America’s young composers.. Copland was born in Brooklyn, New York, on November 14, 1900
At the age of sixteen he went to Manhattan to study with Rubin Goldmark, a respected private music instructor who taught Copland the fundamentals of counterpoint and composition. During these early years he immersed himself in contemporary classical music by attending performances at the New York Symphony and Brooklyn Academy of Music
New World Encyclopedia [16]
|Born||November 14, 1900, Brooklyn, New York City, United States|. Aaron Copland (November 14, 1900 – December 2, 1990) was an American classical composer of concert and film music
The open, slowly changing harmonies of many of his works are said to evoke the vast American landscape. He incorporated percussive orchestration, changing meters, polyrhythms, polychords, and tone rows
During his career he also wrote books and articles, and served as a conductor, most frequently for his own works.. Much of the greatness of Copland’s art is due to the ways he synthesized various musical styles, idioms and conventions
Great Composers – Aaron Copland [17]
At a time when Europeans dominated the classical scene, Aaron Copland succeeded in establishing American music as a force to be reckoned with.. Who was he? America’s most celebrated classical composer
What are his most famous works? Fanfare For The Common Man; Rodeo; Appalachian Spring; Billy The Kid; El Salón México. Aaron Copland is widely celebrated as the “Dean Of American music”, and with good reason
Such composing worthies as John Knowles Paine, Amy Beach, Edward MacDowell and Horatio Parker had consciously fashioned their music on the European Romantic tradition. The iconoclastic genius Charles Ives had been the first to make the break, but despite his frequent use of indigenous American material, his no-holds-barred approach to composing was certainly not for the faint-hearted.
Aaron Copland [18]
Born November 14, 1900, Brooklyn, New York Died December 2, 1990, Peekskill, New York. One of the most influential American composers of the twentieth century, Copland nevertheless did not find success with either of his operas
Both of his works are ideal for young voices, although The Tender Land also provides challenging and rewarding music for any voice.. The Second Hurricane, opera for high school students with chorus of parents Libretto by Edwin Denby
April 1, 1954, New York City Opera, New York, New York
Selected Bibliographies [19]
– Aaron Copland: A Reader: Selected Writings, 1923-1972. Contains both reprinted and previously unpublished material including autobiographical sketches, Copland’s commentary on five of his predecessors and more than ten of his contemporaries, and his descriptions of thirty-one of his own compositions
– Our New Music: Leading Composers in Europe and America. Meticulous annotations and informed introductions make this career-spanning collection of Copland’s letters scholarly as well as entertaining.
Aaron Copland: His Work and Contribution to American Music. The two-volume autobiography drawn from musicologist Vivian Perlis’s interviews with Copland, published with introduction and interludes by Perlis
The Right Notes Aaron Copland [20]
The film director Spike Lee once said: “When I listen to Aaron Copland’s music, I hear America. Well, you will be hearing a lot of America today – and a week bit of Mexico
However, by way of compensation, I will play a song that Copland incorporated in Appalachian Spring. Between 1950 and 1950 Aaron Copland arranged two sets of songs after research in the Sheet Music Collection of the Harris Collection of American Poetry and Plays
The first set of songs included this, the old Shaker song Simple Gifts.. You will hear a few more of these Old American Songs later.
Sources
- https://www.loc.gov/item/ihas.200182578/#:~:text=During%20the%201950s%2C%20Copland%20focused,which%20was%20written%20in%201936).
- https://en.wikipedia.org/wiki/Aaron_Copland#:~:text=The%201940s%20were%20arguably%20Copland’s,Common%20Man%20became%20patriotic%20standards.
- https://www.pbs.org/wnet/americanmasters/aaron-copland-about-the-composer/475/#:~:text=Aaron%20Copland%20was%20one%20of,pieces%20both%20exceptional%20and%20innovative.
- https://interlude.hk/aaron-copland-american-sound/#:~:text=Aaron%20Copland%20gained%20worldwide%20recognition,and%20her%20contemporary%20dance%20company.
- https://en.wikipedia.org/wiki/The_Tender_Land#:~:text=The%20Tender%20Land%20is%20an,a%20pseudonym%20for%20Erik%20Johns.
- https://www.loc.gov/collections/aaron-copland/articles-and-essays/about-aaron-coplands-works/
- https://songofamerica.net/composer/copland-aaron/
- https://courses.lumenlearning.com/suny-musicapp-medieval-modern/chapter/aaron-copland/
- https://www.musicalexpert.org/who-is-aaron-copland.htm
- https://www.radioswissclassic.ch/en/music-database/musician/17837f43f13b00291fe5be9ffb9194abb51b5?app=true
- https://soclassiq.com/en/classical_music_masterpieces/Aaron_Copland/ID/1126/
- http://music.minnesota.publicradio.org/features/0011_copland/chapters.shtml
- https://galaxymusicnotes.com/pages/about-aaron-copland
- https://qcpages.qc.cuny.edu/hhowe/music785/Copland_works.html
- https://www.pbs.org/wnet/americanmasters/aaron-copland-about-the-composer/475/
- https://www.newworldencyclopedia.org/entry/Aaron_Copland
- https://www.classicfm.com/composers/copland/guides/great-composers-aaron-copland/
- http://usopera.com/composers/copland.html
- https://www.aaroncopland.com/about/selected-bibliographies/
- https://www.therightnotes.org/aaron-copland.html
